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The Washington Post
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The Washington Post
* The Washington Post * The Washington Post
For nearly eight years I worked at The Washington Post until voluntarily leaving in July 2025. I worked on hundreds of stories covering a variety of beats using many mediums.
Here is just a sample of some of my favorites.
The Pandora Papers

Reporting by The Washington Post and the International Consortium of Journalists. Script and video editing by Luis Velarde. Narration, graphics and animation by Sarah Hashemi. Senior producing by Tom LeGro.
“The Pandora Papers is an investigation based on more than 11.9 million documents revealing the flows of money, property and other assets concealed in the offshore financial system.”
To view the entire project start at the FAQ. There you will see all of the hard work done by my colleagues.
Local News International (The Washington Post Edition)
The Monster
Throwback Thursday is a series that captures a coming of age moment in someone’s life through a variety of video storytelling mediums. This episode is a combination of live-action, stop motion, motion graphics and interview.
In “The Monster”, Lindsey tells her story about her Obsessive Compulsive Disorder.

Directed by Lindsey Sitz. Stop motion by Sarah Hashemi and Lindsey Sitz. Character and prop design by Sarah Hashemi. Post production clean up by Sarah Hashemi. Cinematography by Ross Godwin.
Matthew Rushin

Documentary by Lindsey Sitz. Animation by Sarah Hashemi. Senior produced by Jesse Mesner-Hage.
The short doc revisits the night that Matthew Rushin, a 20-year-old Black autistic man from Virginia Beach, caused a car crash that severely injured two people.
RX Cartel

Script and video editing by Luis Velarde. Narration, graphics and animation by Sarah Hashemi. Senior producing by Tom LeGro. Creative directing by Osman Malik.